Almost ready!
In order to save audiobooks to your Wish List you must be signed in to your account.
Log in Create accountShop Small Sale
Shop our limited-time sale on bestselling audiobooks. Don’t miss out—purchases support local bookstores.
Shop the saleLimited-time offer
Get two free audiobooks!
Now’s a great time to shop indie. When you start a new one credit per month membership supporting local bookstores with promo code SWITCH, we’ll give you two bonus audiobook credits at sign-up.
Sign up todayReconsidering Reparations
This audiobook uses AI narration.
We’re taking steps to make sure AI narration is transparent.
Learn moreReparations for slavery have become a reinvigorated topic for public debate over the last decade. Most theorizing about reparations treats it as a social justice project—either rooted in reconciliatory justice focused on making amends in the present; or, they focus on the past, emphasizing restitution for historical wrongs. Olúfémi O. Táíwò argues that neither approach is optimal, and advances a different case for reparations—one rooted in a hopeful future that tackles the issue of climate change head on, with distributive justice at its core. This view, which he calls the "constructive" view of reparations, argues that reparations should be seen as a future-oriented project engaged in building a better social order; and that the costs of building a more equitable world should be distributed more to those who have inherited the moral liabilities of past injustices.
This approach to reparations, as Táíwò shows, has deep and surprising roots in the thought of Black political thinkers such as James Baldwin, Martin Luther King Jr, and Nkechi Taifa, as well as mainstream political philosophers like John Rawls, Charles Mills, and Elizabeth Anderson. Táíwò's project has wide implications for our views of justice, racism, the legacy of colonialism, and climate change policy.
Olúfemi Taiwo is assistant professor of philosophy at Georgetown University. His theoretical work draws liberally from the Black radical tradition, contemporary social science, and histories of activism and activist thinkers. His public philosophy, including articles exploring intersections of climate justice and colonialism, has appeared in the New Yorker, the Guardian, the New Republic, the Nation, Foreign Affairs, the Philosopher, Aeon, and Boston Review. He is the author of Elite Capture: How the Powerful Took Over Identity Politics (And Everything Else).
Amir Abdullah (he/him/his) is an actor, playwright, and audiobook narrator residing in Los Angeles. He has been seen on stage at Chicago Shakespeare Theatre, The Geffen Playhouse, The Edinburgh Fringe Festival, California Shakespeare Theatre, A Noise Within Theatre, and other theaters around the US. On screen, Amir most recently appeared on Chicago Med and on the last season of Empire and has been seen on other network shows and films. As a narrator, he is a four-time Golden Earphone Award winner and an ALSC Notable Children's Recording recipient. Most known for narrating the YA series Tristan Strong, he has lent his voice to dozens of other prolific authors' works such as Ibram X. Kendi, Kwame Mbalia, Frederick Douglass, W. E. B. Dubois, Eric Jerome Dickey, and more. You can hear him as the voice of Yasir in the videogame Abo Kashem and in the HP Lovecraft Society Radio Plays and as a regular on the Open Door Playhouse. He can be seen and heard in commercials for Ford, Adidas, Kaiser Permanente, and Facebook, as well as many others. As an actor Amir won Best Actor at the Movieville International Film Festival for his work in the film The Untimely Concurrence. Amir's playwriting debut, Pray to Ball, had its world premiere at Skylight Theatre Company in Los Angeles and won the Ovation Award for Best Set. He graduated with an MFA in acting from Pennsylvania State University and a BFA in acting from the University of Miami.