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Sign up todayAtmospheric Disturbances
This audiobook uses AI narration.
We’re taking steps to make sure AI narration is transparent.
Learn moreWhen Dr. Leo Liebenstein’s wife disappears, she leaves behind a single, confounding clue: a woman who looks, talks, and behaves almost exactly like her and even audaciously claims to be her. While everyone else is fooled by this imposter, Leo knows better. Certain that his real wife is alive and in hiding, Leo embarks on a quixotic journey to reclaim his lost love. From the streets of New York to the southernmost reaches of Patagonia, Leo’s quest becomes a test of how far he is willing to take his struggle against the seemingly uncontestable truth he knows in his heart to be false.
Rivka Galchen is a recipient of a William Saroyan International Prize for Fiction, a Rona Jaffe Foundation Writers’ Award and a Berlin Prize, among other distinctions. She writes regularly for the New Yorker, which selected her for its list of 20 under 40 American fiction writers in 2010.
Malcolm Hillgartner is an accomplished actor, writer, and musician. Named an AudioFile Best Voice of 2013 and the recipient of several Earphones Awards, he has narrated over 175 audiobooks.
Reviews
“[An] enthralling debut…heartbreaking and maddening…Don’t be surprised if this gives you a Crying of Lot 49 nostalgia hit.”
“Witty, tender, and conceptually dazzling, Galchen’s metaphysical tale of longing, grief, love, and the volatility of the self gracefully charts the tempestuous weather of the human psyche.”
“An intricate puzzle powered by an urgently beating heart…A superb first novel.”
“Astonishing…This dense, brilliant novel should be much in demand.”
“Galchen’s astonishing debut is rich in detail and scientific exploration and a kind of dreamy psychological dissembling that keeps the reader as baffled as Leo right to the end. This dense, brilliant novel should be much in demand.”
“Galchen’s intriguing and sophisticated first novel has a startling premise and unique characters, all ably interpreted by Hillgartner. His rich baritone is perfect for the obsessed Liebenstein and, surprisingly, equally effective for the female characters. His real achievement, though, is portraying the transformation of the psychiatrist as he argues with himself that his increasingly bizarre observations are scientifically valid and that his wife is really not herself.”
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