The Ten-Cent Plague

Reviews

“Incisive and entertaining…This book tells an amazing story, with thrills and chills more extreme than the workings of a comic book’s imagination.”

“To those who think rock ’n’ roll created the postwar generation gap, David Hajdu says: Think again. Every page of The Ten-Cent Plague evinces [Hajdu’s] zest for the ‘aesthetic lawlessness’ of comic books and his sympathetic respect for the people who made them. Comic books have grown up, but Hajdu’s affectionate portrait of their rowdy adolescence will make readers hope they never lose their impudent edge.”

“Sharp…lively…entertaining and erudite…David Hajdu offers captivating insights into America’s early bluestocking-versus-blue-collar culture wars, and the later tensions between wary parents and the first generation of kids with buying power to mold mass entertainment.”

“A compelling story of the pride, prejudice, and paranoia that marred the reception of mass entertainment in the first half of the century.”

“A vivid and engaging book.”

“David Hajdu, who perfectly detailed the Dylan-era Greenwhich Village scene in Positively 4th Street, does the same for the birth and near death (McCarthyism!) of comic books in The Ten-Cent Plague.”

“Marvelous…A staggeringly well-reported account of the men and women who created the comic book, and the backlash of the 1950s that nearly destroyed it…Hajdu’s important book dramatizes an early, long-forgotten skirmish in the culture wars that, half a century later, continues to roil.”

“I’ve been waiting for a book like David Hajdu’s The Ten-Cent Plague to come along…Anyone who remembers Positively 4th Street will recognize in this new book Hajdu’s peerless ability to weave first-person recollections with an acute perspective of America at a pivotal moment in its cultural timeline. The rise of comics as a mode of expression, an outlet for entertainment, and, rather tragicomically, as a target for censorship, couldn’t be more compelling in anyone else’s hands. In deft narrative strokes Hajdu creates a colorful, character-driven story of our first real—and lasting—counterculture (if the burgeoning popularity of graphic novels is any indication) and shows why we embrace it still.”

“The Ten-Cent Plague is about the best account yet of comics in America, an instant classic of cultural history.”

“The main attraction—EC Comics publisher Bill Gaines’s attempt to explain in a Senate committee hearing how an illustration of a man holding a severed head could be in good taste—holds all the dramatic power it has acquired as it’s been told among fans over the past half-century.”

“Thanks to narrator Stefan Rudnicki, other books on the history of comic books can’t even touch The Ten-Cent Plague. Rudnicki’s steely narration of the Great Comic Book Scare of 1953–54 will raise the hackles of any freethinking American…The book is outstanding, even for those who don’t love comic books.”

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