Author:
John Galsworthy

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Learn moreTo Let
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Learn moreTo Let concludes John Galsworthy’s Forsyte Saga, the first trilogy of his epic nine-volume Forsyte Chronicles, which follows the fortunes of the venerable Forsyte family, a moneyed clan whose values are ever at war with its passions.
In To Let, Irene’s son, Jon, and Soames’ daughter, Fleur, now both nineteen years old, fall in love. But when Jon learns of the past feud between their families, he decides that he cannot marry Fleur. To drive her from his mind, he travels to America with his mother, Irene. In despair, Fleur throws herself at her long-standing admirer, Michael Mont, a fashionable baronet’s son, and the two are married.
Meanwhile, Soames Forsyte learns that his second wife, Annette, has been unfaithful to him, and is left desolately contemplating the sale of Robin Hill. When Timothy Forsyte, the last of the old generation, dies at the age of one hundred, the Forsyte family begins to disintegrate.
John Galsworthy (1867–1933), English novelist and playwright, went to Oxford to study law but turned to literature after he met Joseph Conrad on a voyage. The Man of Property (1906), the first of the Forsyte Chronicles, established his reputation. He was awarded the Nobel Prize for Literature in 1932.
Frederick Davidson (1932–2005), also known as David Case, was one of the most prolific readers in the audiobook industry, recording more than eight hundred audiobooks in his lifetime, including over two hundred for Blackstone Audio. Born in London, he trained at the Royal Academy of Dramatic Art and performed for many years in radio plays for the British Broadcasting Company before coming to America in 1976. He received AudioFile’s Golden Voice Award and numerous Earphones Awards and was nominated for a Grammy for his readings.
Audiobook details
Narrator:
Frederick Davidson
ISBN:
9781483086569
Length:
9 hours 41 minutes
Language:
English
Publisher:
Blackstone Publishing
Publication date:
January 1, 2006
Edition:
Unabridged
Reviews
“A social satire of epic proportions and one that does not suffer by comparison with Thackeray’s Vanity Fair…The whole comedy of manners, convincing both in its fidelity to life and as a work of art.”
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