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Sign up todayHearts, Keys, and Puppetry
This audiobook uses AI narration.
We’re taking steps to make sure AI narration is transparent.
Learn more"Sam was brushing her hair when the girl in the mirror put down the hairbrush, smiled, and said, 'We don't love you anymore.'" So began the Twitter Audio project, with a dazzling first line penned by New York Times best-selling author Neil Gaiman. What followed was an epic tale of imaginary lands, magical objects, haunting melodies, plucky sidekicks, menacing villains, and much more.
From mystical blue roses to enchanted mirrors to pesky puppets, this classic fable was born from the collective creativity of more than one hundred contributors via the social network Twitter.com in a groundbreaking literary experiment. Together, virtual strangers crafted a rollicking story of a young girl's journey with love, forgiveness, and acceptance.
Neil Gaiman is the author of several #1 New York Times bestsellers, including Norse Mythogy, The Ocean at the End of the Lane, and Anansi Boys, and others, as well as the Sandman series of graphic novels. His fiction has received Newbery, Carnegie, Hugo, Nebula, World Fantasy, and Will Eisner awards. His novel American Gods aired as a TV series in 2017. Originally from England, he lives in the United States, where he is a professor at Bard College.
Katherine Kellgren (1969–2018), narrator and actress, appeared onstage in London, New York, and Frankfurt, including in the role of Laura in a regional production of The Glass Menagerie and appearances on Comedy Central. In recognition of her mastery of audiobook narration, she received many honors, including the prestigious Audie Awards, with four for best female narrator; the Odyssey Award; Publishers Weekly Listen Up Award; dozens of AudioFile magazine Earphones Awards; an AudioFile Golden Voice Award; Booklist Voice of Choice award; and acclaim from press and listener reviews.
Reviews
“Gaiman and company sift through the lost brothers, badgers, evil queens, and animated puppets of folk stories and fairy tales to discover the new and revealing, and Kellgren gives voice to what will surely become the first classic of the Twitterverse.”
“I admit I was at first doubtful at the resulting quality of the story. Many a time have I tried playing that game where a person writes a sentence, and then another one continues it, and so on, and the resulting plot almost always turned out to be messy. Because of this, I steeled myself for what the outcome might be. After almost two hours, I resurfaced quite reluctantly into the normal world. Needless to say, I really loved it.”
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