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Learn moreExhausted and disillusioned with the world of theater in May 1935, Josephine Tey has traveled to Cornwall to spend the summer with her friends, the Motleys, at their run-down but beautiful country estate. Ready to begin work on her second mystery novel, Tey finds much to inspire her in the landscape and its legends. Meanwhile, the Motleys have become involved in an amateur production at the nearby Minack Theater.
Detective Inspector Archie Penrose has returned to his roots in Cornwall to attend the funeral of a family friend, a young estate worker who died in a tragic riding accident. Penrose has a few questions about the circumstances surrounding the fatal occurrence. And when the Minack Theater proves to be the stage for a real-life tragedy, Penrose and Tey together must investigate an audacious murder and confront an evil suggesting that there are darker things than death.
Nicola Upson is the author of nonfiction works and several novels, including An Expert in Murder, winner of an Escalator/Arts Council England award.
Davina Porter has been enthralling listeners for over twenty-five years with her ability to mine the psychological depths of the characters she reads and bring them convincingly to life. In 2006, she won the prestigious Audie Award for Best Female Narration and in 2004 for Best Inspirational Literature Narration. She has been honored as an AudioFile Golden Voice and has won nineteen AudioFile Earphones Awards. As an actress, she has appeared on stage at the Vineyard Playhouse and the Square One Theater, among others.
Reviews
“Packed with lust and illicit passion.”
“The portrayal of Tey is both sympathetic and perceptive…Upson is chillingly effective at showing how good intentions may lead to evil consequences…A fine addition to a promising series.”
“Carefully plotted, full of historical information, local color and meticulous psychological analysis.”
“Within a relatively short period, Nicola Upson has established herself as one of the most inventive and unusual of crime writers…It’s easy to feel that Tey herself would be delighted with these fictitious imaginings of her life.”
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