Reviews
A
history-tragic-comedy all rolled into one,
Rotherweird is
intricate and crisp,
witty and
solemn: a book not unlike other books, but with
special and dangerous properties. Line by line, silent and adroit, it
opens a series of
trap-doors in the reader's
imagination
Baroque, Byzantine and
beautiful - not to mention
bold. An
enthralling puzzle picture of a book
Compelling . . . the love child of
Gormenghast and
Hogwarts
The
Rotherweird trilogy is a sprawling absorbing saga that is breath-taking in conceit and accomplishment. Fans of deeply immersive fiction, such as that created by Neal Stephenson, will love losing themselves in this nightmarish vision of a parochial English town, where everybody has secrets.
[A] sprawling fantasy
epic
This novel is a
remarkable achievement. It's also
extremely funny, in a typically British sort of way . . . a delightful
Harry Potter for grown-ups
An imaginative tour de force
Lost Acre is a triumphant final volume to what has been a constantly surprising piece of modern British fantasy. Part
Gormenghast, part Monty Python, part mythology, part Terry Pratchett, a little bit steampunk but with the occasional dragon and changeling, and with plenty of word puzzles along the way. And while it has plenty of antecedents, this series, its setting and its tone is totally unique and thoroughly enjoyable and should be celebrated as such
Intricate and rather beautiful . . . gothic,
engaging, and strange, this is
a series that has been filled with praise by fans of baroque literature from all fields
A vivid fantasy world - albeit one with firm roots in both our own Elizabethan age and, with a timeshift plot set off by events in the Tudor era, the time of Good Queen Bess
Precisely calibrated . . . The stakes could not be higher
I'm a sucker for a good puzzle and this one was
magnificent
Ambitious in his scope . . . incredibly
inventive
Lost Acre is the perfect swansong
to the wonderfully executed series of books. Highly recommended
It's
complex,
intriguing and I've
loved it! It's definitely
ambitious but it does work! It's
very original and nothing like I've seen before
A steampunkish amalgam of Mervyn Peake's
Gormenghast, Terry Pratchett's
Ankh-Morpork and Christopher Isherwood and Edward Upward's
Mortmere, replete with
quirky characters, Heath Robinsonesque mechanical devices and a dash of the
supernatural
Rotherweird and its otherworldly counterpart Lost Acre are just as
fascinating as ever.
Lost Acre, like its predecessors, is
a book to be savoured. If you like your fantasy
complex, this is a trilogy for you and
Lost Acre rounds it off in style
A
clever, quirky and enjoyable jaunt into a
gothic mystery spanning the millennia between Roman invasions (Gregorius), the Elizabethans (Bole and Wynter, Ferensen and the Seers) and the modern day
Caldecott delivers with gusto. There are surprises too: far from being an all-powerful villain, even Wynter isn't sure what is happening (can it be he's really being played?) - and many secrets still lie hidden. An excellent close to this trilogy . I'd also commend the illustrations by Sasha Laika - they are moody, allusive and add greatly to the atmosphere
Still one of the best characters in these stories is the city of Rotherweird. It is slightly gothic, Dickensian, there is a touch of horror in it, but it is foremost absolutely captivating. This world building, although complex, is done with great skill and is one (of the many) attractive features. It gave me many hours of sometimes confusing, sometimes marvellous and very often amazing pleasure
Delightfully ordinary people with extraordinary names wrestle with weird machinery, weirder science and some quite deliciously gruesome flayage
A great read . . .
rich and rewarding
One of those
rare, satisfying commitments you've been looking for in a book
A rather
spectacular conclusion to a
unique series
To his lawyerly eye for detail he adds
a conjurer's flourish in
Wyntertide, the
darkly hypnotic sequel to last year's bestseller
Rotherweird . . . Rotherweird has antecedents in Mervyn Peake's
Gormenghast, C S Lewis's Narnia books and, inevitably, a certain bespectacled boy-wizard
Beautifully handled sequel that cooks up
a banquet of dark delights. Once again, we are captivated by the
compelling alchemy of plot, place and people: the
quirks, the
mysteries, the
saintliness and the
sheer bloody evil
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