A Season in Hell with Rimbaud

Dustin Pearson is the author of A Season in Hell with Rimbaud (BOA Editions, 2022), Millennial Roost (C&R Press, 2018), and A Family Is a House (C&R Press, 2019). In 2019, The Root named Dustin one of nine Black poets working in “academic, cultural and government institutions committed to elevating and preserving the poetry artform.” In 2020, a film adaptation of his poem “The Flame in Mother’s Mouth” won Best Collaboration at the Cadence Video Poetry Festival. The recipient of fellowships from Cave Canem, the Bread Loaf Writers’ Conference, the Sewanee Writers’ Conference, the Virginia G. Piper Center for Creative Writing, and The Anderson Center at Tower View, Pearson has served as the editor of Hayden’s Ferry Review and a director of the Clemson Literary Festival. His writing has been recognized and featured by Shonda Rhimes and further distinguished by the Katherine C. Turner and John Mackay Shaw Academy of American Poets Awards and a 2021 Pushcart Prize. His work also appears in The Nation, Poetry Northwest, Blackbird, The Boiler, Bennington Review, TriQuarterly, The Literary Review, The Cortland Review, Poetry Daily, and elsewhere. He is an Assistant Professor in the Department of English Language and Literature at the University of Toledo where he teaches creative writing.

Dustin Pearson is the author of A Season in Hell with Rimbaud (BOA Editions, 2022), Millennial Roost (C&R Press, 2018), and A Family Is a House (C&R Press, 2019). In 2019, The Root named Dustin one of nine Black poets working in “academic, cultural and government institutions committed to elevating and preserving the poetry artform.” In 2020, a film adaptation of his poem “The Flame in Mother’s Mouth” won Best Collaboration at the Cadence Video Poetry Festival. The recipient of fellowships from Cave Canem, the Bread Loaf Writers’ Conference, the Sewanee Writers’ Conference, the Virginia G. Piper Center for Creative Writing, and The Anderson Center at Tower View, Pearson has served as the editor of Hayden’s Ferry Review and a director of the Clemson Literary Festival. His writing has been recognized and featured by Shonda Rhimes and further distinguished by the Katherine C. Turner and John Mackay Shaw Academy of American Poets Awards and a 2021 Pushcart Prize. His work also appears in The Nation, Poetry Northwest, Blackbird, The Boiler, Bennington Review, TriQuarterly, The Literary Review, The Cortland Review, Poetry Daily, and elsewhere. He is an Assistant Professor in the Department of English Language and Literature at the University of Toledo where he teaches creative writing.