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The Rule of Three

The Extinction New Zealand Series: Book #1

by Adrian J. Smith

Narrator Raphael Corkhill

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Length 6 hours 21 minutes

Language English

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Summary
About the author
About the narrator

What would you do to survive the apocalypse?

Jack Gee, hiking the New Zealand mountains, is blissfully unaware of the Hemorrhage virus sweeping the world. A desperate message from his wife Dee alerts him, and he must return to Hamilton. On the way, he is captured by flesh-eating Variants and taken to their meat locker. To escape, he will need to draw on all his experience as an outdoorsman, but first he must find the will to survive.

Surrounded by Variants, Dee is trapped in her Hamilton basement with a group of survivors. With Jack missing, and dwindling food supplies, she must leave the basement, her only defense a Katana.

The nightmare has just begun. Will they find each other in the chaos?

Fiction Science Fiction Apocalyptic & Dystopian

Adrian J. Smith is the author of the Extinction NZ trilogy and the Nameless series. As well as writing, for the last fifteen years he has run his own successful painting and decorating business. A self-confessed book and movie geek, Adrian lives in Hamilton, New Zealand, and when he isn’t working his day job or writing, he can be found wandering the mountains, swimming, quizzing, watching movies, and of course reading.

Raphael Corkhill is an award-winning stage, screen and voice actor. Born and raised in the UK, Raphael graduated from Princeton University then gained his MFA in acting from the University of Southern California. Raphael’s film and television credits include the Warner Bros. feature The Goldfinch, independent TV pilot Manny, and Burning at Both Ends alongside Cary Elwes. His extensive voice credits include billion-dollar video game franchises: Uncharted 4 (BAFTA “Best Game” winner), The Elder Scrolls Online and Titanfall 2, as well as the recent blockbuster ESO: Morrowind. Raphael has narrated numerous titles for Macmillan including The Fallon Trilogy and his audiobook performances have been described by Publisher’s Weekly as “terrific.”